The one and only Tim Burton
Friday, December 14, 2012
Introduction
Hello, and welcome! This is a blog dedicated to Tim Burton and all of his accomplishments. Tim Burton is the director of many unforgettable movies such
as Batman, Alice in Wonderland and Planet of the Apes. Throughout the blog
you will be able to learn a little more about Tim Burton himself, but most
importantly how over the years he has managed to create such a big impact on
people's lives. With the help of a Burton Tetrad, Artifacts, and report, you
will learn why Tim Burton and his movies are a pop culture moment that will
last for generations and generations to come.
Burton Tetrad
Thursday, December 13, 2012
Artifacts- Clothing #1
Clothing
This first artifact is a collage of different clothing items that are sold either a stores or online to Tim Burton’s Fans about various successful movies that he directed. As seen above, there is a large variety of clothing items that can be bought to show support and love for Burtons movies. Most importantly, when a person wears a shirt that either has an image of Batman, The Joker or Tim Burton himself, it is making a statement to the rest of the world. In wearing a shirt with Tim Burton on it, it immediately becomes the message. It is making a statement about the person wearing it, making it clear that they agree with Tim Burton’s ideologies and wonderful creations. Not only does will this shirt make a statement about the producer, but also to the consumer. A person walking by and seeing someone wearing a Tim Burton shirt, it might get them interested in the person or character. The consumer is sending a message with the shirt they are wearing and it is up to the consumer to identify if they will accept it and let it affect them and become a part of their life or if it is irrelevant. As this cycle continues, clothing and shirts will create a bigger and bigger fan base for Tim Burton; this artifact is essentially a form of advertising.
News Article #2
Tim Burton, at Home in His Own Head
Mr. Burton with accessories at his home in London, including
a picture of the actor Larry Hagman. ("Don't ask. I have weird
references.") More Photos »
By DAVE ITZKOFF
Published: September 19, 2012
IT would be
a tremendous disappointment if Tim Burton’s inner sanctum turned out to be a
sterile environment, barren except for a telephone on its cold white floor; or
a cubicle with a “World’s Greatest Dad” coffee mug. Instead, the workplace of
the filmmaker behind invitingly grim delights like “Beetlejuice” and “Edward
Scissorhands” is a
definitive Burtonesque experience: on a hill here in north London, behind a
brick wall and a mournful tree, in a Victorian residence that once belonged to
the children’s book illustrator Arthur
Rackham, it lies at the top of a winding
staircase guarded by the imposing portraits of Boris Karloff and Christopher
Lee. Its décor is best characterized as Modern Nonconformist (unless Ultraman
toys and models of skeletal warriors are your thing), and when the master of
the house greets you, his drinking glass will bear a poster image for “The
Curse of Frankenstein.”
That the
word Burtonesque has become part of the cultural lexicon hints at the
surprising influence Mr. Burton, 54, has accumulated in a directorial career
that spans 16 features and nearly 30 years. Across films as disparate as“Ed Wood,” “Alice in Wonderland” and “Big Fish” — released to
varying critical and commercial receptions — he has developed a singular if not
easily pinned-down sensibility. His style is strongly visual, darkly comic and
morbidly fixated, but it is rooted just as much in his affection for monsters
and misfits (which in his movies often turn out to be the same thing). He all
but invented the vocabulary of the modern superhero movie (with “Batman"), brought new vitality to stop-motion animation (with “Corpse
Bride,” directed with Mike Johnson, and“The
Nightmare Before Christmas,” which Mr.
Burton produced) and has come to be associated, for better or worse, with anything
that is ghoulish or ghastly without being inaccessible. He may be the most widely
embraced loner in contemporary cinema.
His success
has also transported him from sleepy, suburban Southern California, where he
grew up and graduated from the California Institute of the Arts, to London,
where he lives with his partner, the actress Helena Bonham Carter, and their
two young children, and where he has come to embrace the sensation of being
perpetually out of place.
“I just feel like
a foreigner,” Mr. Burton said in his cheerful, elliptical manner. “Feeling that
weird foreign quality just makes you feel more, strangely, at home.”
On a recent
morning Mr. Burton, dressed entirely in black, was talking about his new
animated feature, “Frankenweenie,” which will be released by Walt Disney on Oct. 5., and which
tells the charming story of a young boy (named Victor Frankenstein) who
reanimates the corpse of his dead pet dog.
Like its
director “Frankenweenie” is simultaneously modern and retrograde: the film,
which is being released in 3-D black-and-white, is adapted from a
live-action short that Mr.
Burton made for Disney in 1984, when he was a struggling animator. That project
did not get the wide release Mr. Burton hoped for, but it paved the way for him
to direct his first feature, “Pee-wee’s
Big Adventure,” the following
year.
As he spoke
(and occasionally shaped his feral, curly hair into something resembling satyr
horns), Mr. Burton was in a nostalgic mood but also a defiant one. That may
have been the result of the tepid reception that greeted “Dark
Shadows,” his big-budget remake of the TV soap opera (which Mr.
Burton said did not disappoint him), or a reluctance to analyze trends in his
career. Whether he was talking about his upbringing in Burbank, his earliest
frustration at Disney or the unexpected honor of a career retrospective presented at the Museum of Modern Art and other
institutions, Mr. Burton still casts himself as an outsider.
“Wanting people to like you is nice, but I’m confident that there’s
always going to be lots that don’t,” Mr. Burton said with gallows humor and
genuine pride. “I’ll always be able to hang on to that.” These are excerpts
from this conversation.
The hero and his
pet in Mr. Burton’s current feature “Frankenweenie,” based on the short.
This
artifact is a news article about Tim Burton and his lifestyle at home in
London. The article makes a remark on
his success using the movies he directed as examples. This article further
explains the kind of environment Tim Burton lives in and what he is constantly
surround by when he is at work and he is taking time off. The main idea that is
emphasized is the idea that Burton feels at most times out of place, the
feeling that he doesn't belong. The most important thing that is learned about
Tim Burton in this news article is the fact that he has accepted the fact that
not everyone is going to like him and I really believe that that mentality is
the reason behind all of his success.
The hero and his
pet in Mr. Burton’s current feature “Frankenweenie,” based on the short.
This
artifact is a news article about Tim Burton and his lifestyle at home in
London. The article makes a remark on
his success using the movies he directed as examples. This article further
explains the kind of environment Tim Burton lives in and what he is constantly
surround by when he is at work and he is taking time off. The main idea that is
emphasized is the idea that Burton feels at most times out of place, the
feeling that he doesn't belong. The most important thing that is learned about
Tim Burton in this news article is the fact that he has accepted the fact that
not everyone is going to like him and I really believe that that mentality is
the reason behind all of his success.
Movie Posters #3
This
artifact is a collage of posters of all of the movies that Tim Burton has
directed. These types of posters can be found in many public places like at the
mall, on the street, billboards etc. In a sense, this is global village that allows
any kind of person to retrieve this particular information about Tim Burton’s
movies anywhere. This form of advertising is very commonly used because it is
very effective. People are subjected to
a certain message of going to see one of Tim Burton’s movies without even
realising it. Without people realising that they are receiving a message about
starting to show interest about a specific movie or even going to see it, it
starts creating a very big fan base either for a movie like Batman or Tim
Burton himself. As mentioned before, this is an ongoing cycle that is always
getting bigger and gaining more power.
Movie Clip #4
Movie Clip
This is a very unique artifact
that I found on a blog dedicated to Tim Burton. The brief movie clip is made
with really great graphics that creates a timeline from start to present of all
of the movies Tim Burton has directed. This video is just one of the many that
are found online either on YouTube or other blog sites. These videos are
usually created to pay tribute to Tim Burton and it’s a way of people showing
their appreciation and dedication. Out of the 5 artifacts that I listed, this
is the most significant and the one that is able to summarize and promote
what Tim Burton movies is all about. By
people watching these kinds of clips it allows them to receive the message
about Tim Burton’s ideas. We see the
different genres and types of movie that he produces and we are able to make a
quick decision on whether we like his style of work.
Click on the link above to view the video
Artwork #5
* It is only necessary to watch up to around the 4 minute mark to understand my point.
This artifact are different
drawings and art work by Tim Burton, I also decided to incorporate a video of
the director himself in a behind the scenes where he talks about his art, how
it all started, and the meaning behind them. Tim Burton is not only known as a director but
for his weird and fascinating drawings.
The majority of his art is found online, more specifically in blogs that
are dedicated to him and all of his accomplishments. With the internet being
such a successful and knowing form of media, it is very easy to come across
these drawings in blogs and research sites. The thing that has caused these
drawings in being so memorable to the audience is the fact that well, they are
not very good. This art work is so
different than what people are used to seeing that it grabs their attention. In
the video we learn about how Tim Burton was never very good at drawing as a
child but he continued because he saw it as a form of escape and a way to
process his thoughts and what he was feeling.
The idea of a person person being normal or anything that has to do with
the idea of “normal” has always scared
Tim Burton, and that is what has made him and this artwork
so remembered and known.
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